草莓之夜2013
竹内结子,西岛秀俊,小出惠介,宇梶刚士,丸山隆平,津川雅彦,渡边一计,远藤宪一,高岛政宏,生濑胜久,武田铁矢,染谷将太,金子统昭,金子贤,鹤见辰吾,石桥莲司,田中哲司,三浦友和,大泽隆夫,横山美雪
大卫林奇
科恩兄弟
乔治卢卡斯
希区柯克
彼得·格林纳威
特瑞吉列姆
罗伯特泽米基斯
娄烨
死党阿华,师爷仔及飞牛三人分别任职于会计,律师楼及警员。他们均喜欢包租婆的女儿蒙珠。一日,阿华知道会有巨额运抵公司及发现有贼人已铺好路线偷款。于是将计就计,他们预先偷走巨款,然后嫁祸给劫匪。虽然钱得手,但全是废纸,而烦恼才刚刚开始……
动物园准备开放,聘请一班实习生到访实习,没想到一种神秘病毒在动物园内开始蔓延爆发,全动物园的动物因而变成噬血活尸,成了真正的尸乐园,现在园区内的幸存者除了得想办法逃出生天外,还必须阻止这群饥肠辘辘的动物活尸走出园区……
黄浦江畔,杀机四伏,规则是否能由“她”重写?刀光里是黑帮的血腥,阴影下是性别枷锁的崩裂——多年银幕未见之大女主暴力爽片。 卧龙帮少主武青青,家族遭戮,自身遭叛,从猎物化身猎手;她隐于暗处,每一张笑脸背后,都可能藏着致命的匕首,日本商会登堂入室,内鬼隐匿于至亲之间,无间道中再掀无间,信任是奢侈品,每一步都是悬崖!她将如何撕下那一张张虚伪面具?奸,是叛帮之徒,是入侵之敌,还是枕边之人? 风暴已至,“除奸”成为唯一信条……
因为人为的过度开采,工业废料的随意丢弃,导致美丽海岛生态被破坏,变异怪物巨蛇攻击人类。主人公陈朗靠着自己的勇气带领众人逃生并牺牲性命保护家人。通过故事向人们发出了保护生态环境的预警,同时宣扬了团结、守护和爱的人性光辉。
本多猪四郎監督 1963年/94分/カラー/35ミリ/東宝 出演:高島忠夫、小林哲子、田崎潤 世界征服を狙うムウ帝国の野望を阻むべく、旧日本海軍が極秘に建造を進めていた海底軍艦が水中・空中・地中を進む。海底軍艦はムウ帝国の守護神マンダをうち破り遂に心臓部に到達する!壊滅したムウ帝国の女王の行動も感動的で何度見ても見飽きない不滅のSF映画。
结婚典礼当天是新郎新娘人生中最重要的日子。即将步入礼堂新人──认真中带点脱线的新郎石川彰人(中村伦也 饰)与开朗的新田遥(关水渚 饰),请来婚顾女王中越真帆(篠原凉子 饰)替他们筹画婚礼。没想到在大婚当日一切开始失控,被迫剪接新人MV、接二连三的怪咖宾客热情参与,挑战着中越真帆解决难题的超能力,更没料到接近尾声前男友(岩田刚典 饰)及谜样男子(向井理 饰)擅闯婚礼。无法对新人说NO的婚顾女王,是否能让新郎顺利地把新娘娶回家?
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
约翰·木兰尼
勒凯斯·斯坦菲尔德,罗莎里奥·道森,欧文·威尔逊,蒂凡尼·哈迪斯,丹尼·德维托,杰米·李·柯蒂斯,蔡斯·W·狄龙,杰瑞德·莱托,J·R·阿杜西,克里克·威尔逊,本·布莱顿,林赛·兰姆,查丽蒂·乔丹,费多尔·斯蒂尔,特伦斯·罗斯摩尔,迈克·贝尼特斯,埃里卡·科尔曼,克里斯托弗·温彻斯特,乔·科伊,格拉伦·布莱恩特·班克斯,玛丽露·亨纳尔,史蒂夫·齐西斯,安德鲁·莫尔加多,尼科·戈麦斯,库尔特·岳,哈桑·明哈杰,丹·列维,埃里克·罗温,塞巴斯蒂安·苏戴斯,特蕾西·古德,卡姆兰·谢赫,薇诺娜·瑞德,罗伯特·廷斯
温碧霞,禾浩辰,归亚蕾,庹宗华,董至成,刘国劭,雷艾美,吴大维,黄诗棋
克里斯·卡马克,蕾切尔·敏纳,Melissa Jones
杰米·福克斯,约瑟夫·高登-莱维特,多米尼克·菲什巴克,罗德里戈·桑托罗,考特尼·万斯,艾米·兰德克,机关枪凯利,泰特·弗莱彻,阿伦·马尔多纳多,安德烈·沃德·哈蒙德,可亚娜·西蒙妮·辛普森,C.J.勒布朗,CG刘易斯,约瑟夫·波利昆,雅茨·德·利瑟尔,凯西·奈斯泰德,珍妮特·罗斯·阮,吉姆·克洛克,乔恩·阿兹,戴恩·罗兹,怀尔德·韦恩,贾斯汀·贾木什,戈登·德克海默,卢克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂尔,约书亚·萨达索
桑德拉·布洛克,梅丽莎·麦卡西,德米安·比齐尔,马龙·韦恩斯,迈克尔·拉帕波特,斯波肯·瑞恩斯,迈克尔·麦克唐纳,丹·巴克达尔,比尔·伯尔,杰西卡·查芬,内森·科德里,塔兰·基拉姆,简·库丁
金圭丽,安闵尚
杰姆·耶尔马兹